The three genres I chose to research in my previous blogs, horror, thriller, and mystery, were genres I thought were closest to my pitch, or at least where I saw my pitch going. While I'm a big fan of thrillers and mysteries, I'm not too fond of horror movies. The suspense and slight mystery, slight horror aspect of thrillers always has me excited to curl up on the couch with some popcorn for the next 90 minutes. I feel as though I can watch a good thriller with anyone, be it family or friends. Mystery films are very hit or miss for me. I believe a good mystery movie should be believable, intriguing, and have at least one good twist. Whenever one of these criteria are not met, I typically find myself bored with the movie. Lack of believability makes the writers seem sloppy or uncaring. Without the intrigue there's no reason to be invested in the case, it might as well stay a mystery. Finally, a bad twist can sour the whole experience. I've sat through over an hour wort...
Camera Angles/Movements : Camera movements in horror short films are usually static or slow. A gentle pan heightens the suspense as Dina slowly looks around the apartment and the camera being fixed in the same position at the end created a feeling of helplessness as Dina was stuck to the giant glue trap on the ground. As for angles, the camera remained mostly at medium-wide shots and close ups to show characters interacting with their surroundings and the emotions (mostly fear) on their faces. Sound : For horror movies, sound is essential to create a creepy and terrifying atmosphere, which is exactly what this short film accomplished. The s core always matched the tone of the scene, whether it was quiet and tense to drive the tension between Ruya and Dina or loud and intense to multiply the fear Dina felt for and of the rats in her apartment. The score fluctuated between sharp and droning in these scenes. There were also consistent sound motifs, such as the rats squeaking ....
Using the footage filmed so far, Ariel and I have begun to edit, mainly focusing on adding affects. Although Ariel is doing the most editing between us, I still assist in choosing what clips to use, make sure we have a good variety of shots, recommend editing software and tools, and general advice. The decision of which shots to keep was easier than I anticipated. I had assumed it would be difficult to choose between two great takes, but most of them had a clear outlier of the best shot. There were also easy ways to eliminate takes by spotting awkward angles, too much shaking, or actors peeking into the shot before their scene. This process was also helped by the quick thinking of my past self. During the filming sessions I would delete some takes that ended quickly due to early mistakes or shots with noticeable mistakes. This wasn't a fool proof strategy as some of the sound or shots could be used for transitions or to play in other shots, but it certainly helped the future proce...
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